David Blaine MBTI Personality Type
Personality
What personality type is David Blaine? David Blaine is an ISTP personality type in MBTI, 5w4 - - 539 in Enneagram, in Big 5, SLI in Socionics.
Since this page is somewhat empty, just some quick thoughts. Enneagram 5: I think one of the best places for this is to listen to him on the Joe Rogan podcast. The dude is obsessed with hoarding information and when he talks about what he enjoys he can become eccentric about those topics that he spends almost all his time thinking about. Classic 5 trait. The dude can sometimes be hard to stop when he really gets going, just speaking from his observations and going into incredible detail about the experience and what was so fascinating about things. With some of the stunts he speaks about, there is an eagerness to tell us all the information about what he practiced for the stunt, why he practiced it, and what he took from the experience, and he can get lost in the details of what he explains even telling Joe to remind him of multiple topics he wants to go over because he might forget due to getting so deep into one thing. I would probably say he is a social or a self pres 5, likely social due to his detailings of how he used to read about Buddha and learn from many other forms of media and arts as a way to, from my view, seemingly live his life in accordance to. There is an element of importance he places on spiritual enlightenment and applying what he learns to what he experiences. But self pres perhaps in the way he seems to be obsessed with information gatherin, but I’m not sure he really possesses an innate drive to withdraw like the self pres. He seems to have more of a risk taker element. Perhaps there could be an argument for sx.
Biography
David Blaine (born David Blaine White; April 4, 1973) is an American magician, illusionist and endurance artist. He is best known for his high-profile feats of endurance, and has set and broken several world records. Blaine revolutionized the way magic is shown on television by focusing on spectator reactions. His idea was to turn the camera around on the people watching instead of the performer, to make the audience watch the audience.
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