Ingmar Bergman MBTI -Persönlichkeitstyp
Persönlichkeit
"Welcher Persönlichkeitstyp ist {profilename}? {profilename} ist ein {MBTI} -Persönlichkeitstyp in MBTI, {enneagram} - {iv} - {tritype} in EnneArgram, {big5} in Big 5, {socionics} in Socionics."
(outdated) He lacks Fe; the only argument I can think of for him having it is the immense emotional load in his films, but that doesn't actually amount to anything. Emotional weight only indicates the use of a feeling function, something everyone employs, even ENTJs. His sentimentality comes from Fi, as he observes internal emotions, connecting characters through a shared emotion and motivation. This connection is Ni's universalism bringing everything together, along with Fi seeking internal motivations, i.e., introverted motivations. At first glance, this collectivism might seem like something from an INFJ, but the universalism originates from Ni, the essence, and then the process unfolds through the auxiliaries. An INFJ wouldn't focus on internal emotions but rather external ones. Internal emotions stem from a relational identification, seeing others from oneself. He displays a lot of NiFi in the message of his films but also a lot of Te in how he architects them—a relentless pursuit to actualize in reality what he sees in his subjective internal world. In conclusion, Fe is about recognizing a universal emotional motivation, a consensus, and working with it externally. Fi is about seeing the repressed feelings hidden behind social masks—the dirt of Fe, from the Fi perspective—and that's where Bergman fits. He certainly isn't an INFP, one of the most subjective, indirect, and abstract types. Bergman had a very concrete and objective process, and his films certainly don't have a series of derivative ideas as a Ne user might. Think of Godard as an example of that. Bergman is concise in working with a single idea that moves and synthesizes his entire body of work.
Biografie
Ernst Ingmar Bergman (14 July 1918 – 30 July 2007) was a Swedish director, regarded as one of the true greats in the history of film. Between writing, directing, and producing, he was nominated for thirteen Academy Awards, winning for Best Foreign Film three times: The Virgin Spring (1960, the inspiration for the American The Last House on the Left), Through a Glass Darkly (1961), and Fanny and Alexander (1983). Another of his famous films is The Seventh Seal, a Trope Codifier for Chess with Death. His films have a reputation for being gloomy and surrealistic. Although he generally tells identifiable "stories," straightforward plot descriptions will rarely give any real indication of what his movies are "about"; even criticism of his works tends to sound like psychobabble. Bergman himself even stated that he didn't so much care if the audience understood what he was going for as long as they felt something.
Persönlichkeit correlate
Quentin Tarantino
Hayao Miyazaki
Stanley Kubrick
David Lynch
Christopher Nolan
Tim Burton
Alfred Hitchcock
Martin Scorsese
