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Orson Welles MBTI -Persönlichkeitstyp

Persönlichkeit

"Welcher Persönlichkeitstyp ist {profilename}? {profilename} ist ein {MBTI} -Persönlichkeitstyp in MBTI, {enneagram} - {iv} - {tritype} in EnneArgram, {big5} in Big 5, {socionics} in Socionics."

Welles: "I don’t know what it derives from, but I hope there’s some unity in my work, because if what you’ve done doesn’t belong to you as much as your flesh and blood, it’s of no interest. I believe that any work whatever, and I’m sure you’d go along with me on this, is good to the degree that it expresses the man who made it. I always feel morally involved with my scripts. They don’t interest me as scripts: for me, only the moral aspect is important. I hate rhetoric in any piece. I hate talk 'about' morality, but the moral centre of the piece is in my eyes essential." Cahiers: "Your morality is not the everyday one: it’s a higher morality." Welles: "Ah well, I must say I take more interest in character than in virtue. You could call that a Nietzschean morality, just as I could call it aristocratic as opposed to bourgeois. Sentimental bourgeois morality disgusts me: I value courage above all other virtues."

Biografie

George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, writer, and producer who worked in theatre, radio, and film. He is remembered for his innovative work in all three: in theatre, most notably Caesar (1937), a Broadway adaptation of William Shakespeare's Julius Caesar; in radio, the legendary 1938 broadcast "The War of the Worlds", and in film, Citizen Kane (1941), consistently ranked as one of the greatest films ever made. In his 20s, Welles directed a number of high-profile stage productions for the Federal Theatre Project, including an adaptation of Macbeth with an entirely African American cast, and the political musical The Cradle Will Rock.

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