Sarah Gadon MBTI -Persönlichkeitstyp
Persönlichkeit
"Welcher Persönlichkeitstyp ist {profilename}? {profilename} ist ein {MBTI} -Persönlichkeitstyp in MBTI, {enneagram} - {iv} - {tritype} in EnneArgram, {big5} in Big 5, {socionics} in Socionics."
I think she's a NT type maybe INTJ but I can really see her as an INTP but she's a ili so it's probably a different vibe than an alpha INTP. She one of my favorite actresses ever and I watch and read a lot of interviews. She loves film and even studied it in college, she use her knowledge of movies and directors as a reference to help her know what kind of career she wants and she said she loves applying film theories to her scripts and characters and that she love thinking deeply about things. I'll put some quotes below 👇 Making movies is not for everyone, it's something you have to love to do it because yes it's an art form but it's also a business. So it can be difficult for those who don't really want to do it. I think that the life of an artist is such a non-traditional path to choose in life. It's such an unstable path to choose — a discipline that I don't think you can pursue unless you have passion. Really, that passion sustains you through the difficult but joyous life of being an artist. I think we're at a point right now in our culture, in popular culture specifically, where output is aligned with success. So however many jobs you can book is equated with your success. It doesn't matter if those jobs are good. It doesn't matter if you felt creatively fulfilled. More equals better. I think [this notion] is in direct correlation with how many platforms there are for content and how much content is being consumed at such a rapid rate — binge culture. All the directors that I love, and all the directors I studied growing up or in film school — the [Agnès] Vardas of the world, the [Stanley] Kubricks of the world — they were the people that were outwardly known for waiting it out, so their jobs were really aligned with all of the correct elements to make the project they wanted to make. And, back then, that was really power — waiting and crafting and really creating this project or this film the way you wanted to. And that was always equated with success. I think we've noticed this massive shift [since then]. The reality of that is you're always playing this waiting game, and you're always kind of trying to wait it out for that one job that you think is going to be special. And then, in between, you're trying to find balance. "What's a good job to do to sustain [myself] economically that aligns with my creative values?" That's a constant struggle. As an artist, I know I will always be dealing with my struggle. That's the job. That's the career. I like to be really thoughtful about my work. I have a lot of creative and artistic integrity [when it comes to] who I want to work with and the kind of projects I want to do. Every production has about a hundred people working behind the scenes and it’s not all about the actors. I was asked to do a profile in a magazine where the concept was ‘a day in my life I remember saying to my agent ‘They haven’t even asked me what that includes. It was crazy that someone would want to sell ‘a day in the life without asking what it’s like. I’m not the kind of person who takes whatever comes her way. I’m constantly fighting for parts, for ideas, for the kind of career that I want. You can ask anybody who works with me—it’s exhausting for them It’s a little self-indulgent to think that my struggle with my degree is something admirable A lot of people have part-time jobs and are full-time students. I was always taught to look at education as a privilege, and that’s why I’m pursuing it. I think that from my own experience working with really high-profile actors, there is a kind of vulnerability that exists from being extremely scrutinized by media, by press, by fans, by the publicThere’s an insecurity that can grow and a vulnerability that exists. something I’m drawn to is producing. I’m trying to create more opportunities within the industry for more dynamic female-driven stories to be told. So I’m looking for material and trying to option things. Studying film exposed me to the different kinds of films that are made out there. There are so many different ways you can make a movie. There are so many different countries and so many genres, and I’m having fun experiencing them all. I think it’s really important for artists in general to invest in themselves. And I view my schoolwork as something I’m investing in for me. And I’m my own product as an artist. There’s a kind of career that I want, and I feel like I’m making choices to obtain that. I think that critical thinking is so integral to being an artist. Studying film at a young age, I remember realizing and learning that while Hollywood may be the commercial epicentre of the industry, it's not necessarily the artistic heartbeat of film or TV — that other industries that fall outside the system have really rich histories of making content that's very intriguing. I really want to be in control of the kinds of stories that I want to put out there in the world.
Biografie
Sarah Gadon (born April 4, 1987) is a Canadian actress. She first gained recognition for her performances in David Cronenberg's films A Dangerous Method (2011) and Cosmopolis (2012). She has guest starred in a number of television series, including Are You Afraid of the Dark?
