The Beldam “Other Mother” tipo de personalidade mbti
Personalidade
"¿Qué tipo de personalidad es The Beldam “Other Mother”? The Beldam “Other Mother” es un tipo de personalidad ENFJ en mbti, 2w3 - sx/so - 287 en enneagram, SLOEI en Big 5, EIE en Socionics."
❝ 𝙩𝙝𝙚𝙮 𝙨𝙖𝙮 𝙚𝙫𝙚𝙣 𝙩𝙝𝙚 𝙥𝙧𝙤𝙪𝙙𝙚𝙨𝙩 𝙨𝙥𝙞𝙧𝙞𝙩 𝙘𝙖𝙣 𝙗𝙚 𝙗𝙧𝙤𝙠𝙚𝙣... 𝙬𝙞𝙩𝙝 𝙡𝙤𝙫𝙚. ❞ (1/5) the beldam is a sexual 2, not a social 2. sx2s are characterized by the forcefulness of their seduction, their aggression/intensity, their focus on desirability, and their deep desire to conquer one-on-one relationships.. which hits every mark for the beldam, and i’ll explain why in this analysis– 》“𝗧𝗵𝗶𝘀 𝘀𝘂𝗯𝘁𝘆𝗽𝗲 𝗳𝗼𝗰𝘂𝘀𝗲𝘀 𝘁𝗵𝗲 𝗺𝗼𝘀𝘁 𝗮𝘁𝘁𝗲𝗻𝘁𝗶𝗼𝗻 𝗼𝗻 𝗼𝗻𝗲-𝘁𝗼-𝗼𝗻𝗲 𝗿𝗲𝗹𝗮𝘁𝗶𝗼𝗻𝘀𝗵𝗶𝗽𝘀. 𝗧𝗵𝗲𝘆 𝗽𝗿𝗲𝘀𝗲𝗻𝘁 𝘁𝗵𝗲𝗺𝘀𝗲𝗹𝘃𝗲𝘀 𝗮𝘀 𝗽𝗲𝗿𝗳𝗲𝗰𝘁 𝗽𝗮𝗿𝘁𝗻𝗲𝗿𝘀 𝗮𝗻𝗱 𝘄𝗼𝗿𝗸 𝘁𝗼 𝗺𝗮𝗸𝗲 𝗰𝗼𝗻𝗻𝗲𝗰𝘁𝗶𝗼𝗻𝘀 𝗵𝗮𝗽𝗽𝗲𝗻 𝘄𝗶𝘁𝗵 𝗮 𝗹𝗼𝘁 𝗼𝗳 𝗶𝗻𝘁𝗲𝗻𝘀𝗶𝘁𝘆.” 》“𝗧𝗵𝗲𝗶𝗿 𝗶𝗻𝘁𝘂𝗶𝘁𝗶𝗼𝗻 𝗰𝗮𝗻 𝗵𝗲𝗹𝗽 𝘁𝗵𝗲𝗺 𝗯𝗲 𝘃𝗲𝗿𝘆 𝗮𝘁𝘁𝗲𝗻𝘁𝗶𝘃𝗲 𝘁𝗼 𝘄𝗵𝗮𝘁 𝗶𝘀 𝗴𝗼𝗶𝗻𝗴 𝗼𝗻 𝘄𝗶𝘁𝗵 𝘁𝗵𝗲 𝗼𝘁𝗵𝗲𝗿, 𝗮𝘀 𝘁𝗵𝗲𝘆 𝗮𝗿𝗲 𝘃𝗲𝗿𝘆 𝗴𝗼𝗼𝗱 𝗮𝘁 𝗿𝗲𝗮𝗱𝗶𝗻𝗴 𝗻𝗼𝗻-𝘃𝗲𝗿𝗯𝗮𝗹 𝗹𝗮𝗻𝗴𝘂𝗮𝗴𝗲. 𝗜𝘁 𝗶𝘀 𝗮𝘀 𝗶𝗳 𝘁𝗵𝗲𝗶𝗿 𝗶𝗻𝘀𝘁𝗶𝗻𝗰𝘁𝗶𝘃𝗲 𝗲𝗻𝗲𝗿𝗴𝘆 𝗰𝗼𝗺𝗲𝘀 𝗼𝘂𝘁 𝗼𝗳 𝘁𝗵𝗲𝗺 𝘁𝗵𝗿𝗼𝘂𝗴𝗵 𝘁𝗵𝗲𝗶𝗿 𝗽𝗼𝗿𝗲𝘀. 𝗧𝗵𝗲𝘆 𝗮𝗿𝗲 𝗦𝗲𝗱𝘂𝗰𝘁𝗶𝗼𝗻 𝗶𝗻 𝗶𝘁𝘀 𝗽𝘂𝗿𝗲 𝘀𝘁𝗮𝘁𝗲 𝗮𝗻𝗱 𝘁𝗵𝗲𝘆 𝗽𝗼𝘄𝗲𝗿𝗳𝘂𝗹𝗹𝘆 𝗽𝘂𝘁 𝘁𝗵𝗲𝗺𝘀𝗲𝗹𝘃𝗲𝘀 𝗶𝗻𝘁𝗼 𝗽𝗹𝗮𝘆. 𝗧𝗵𝗲𝘆 𝗰𝗿𝗲𝗮𝘁𝗲 𝗲𝘅𝘁𝗿𝗲𝗺𝗲𝗹𝘆 𝗰𝗹𝗼𝘀𝗲 𝗿𝗲𝗹𝗮𝘁𝗶𝗼𝗻𝘀𝗵𝗶𝗽𝘀 𝗮𝗻𝗱 𝘁𝗼 𝘁𝗵𝗲𝗺, 𝘁𝗵𝗲 𝗽𝗮𝗿𝘁𝗻𝗲𝗿 𝗶𝘀 𝗲𝘃𝗲𝗿𝘆𝘁𝗵𝗶𝗻𝗴 𝘁𝗼 𝘁𝗵𝗲𝗺.” ¶ the beldam observes coraline’s constant search for something “more”, and notices coraline’s frustration and desire for something other than her bleak reality. in response, the beldam makes coraline’s desires the reality in the other world, so as to make her relationship with coraline her number one focus. ¶ the beldam tactfully constructs coraline’s idea of a ‘perfect’ world, even going as far as to change minor details like the food she cooks (compared to her real father’s cooking), enjoying the rain/mud (compared to her real mother’s disdain of it), and even altering the color palette of the other world to be more saturated and lively (compared to the original world’s monotonous and bleak colors). she presents herself as coraline’s idea of a perfect and flawless mother, and she goes above and beyond to accommodate coraline’s every wish ¶ all of this not only makes coraline (mostly) forego her suspicion and worry, but it also makes her likely to submit to the beldam since she’s so overwhelmed and intoxicated by the idea of endless fun and excitement. because of this, the beldam, in every sense of the word, is meticulous with her plans of capturing her prey, exacting and fine-tuning every detail so as to fulfill THEIR wants/desires so that SHE can end up getting what she wants from them. 》“𝗧𝗵𝗶𝘀 𝘀𝘂𝗯𝘁𝘆𝗽𝗲 𝗶𝘀 𝘁𝗵𝗲 𝗺𝗼𝘀𝘁 𝗶𝗻𝘁𝗲𝗻𝘀𝗲 𝗼𝗳 𝘁𝗵𝗲 𝟮 𝘀𝘂𝗯𝘁𝘆𝗽𝗲𝘀, 𝘁𝗵𝗲𝘆 𝗮𝗿𝗲 𝗼𝗯𝘀𝗲𝘀𝘀𝗲𝗱 𝘄𝗶𝘁𝗵 𝘁𝗵𝗲 𝗱𝗲𝘀𝗶𝗿𝗲 𝘁𝗼 𝗯𝗲 𝘄𝗮𝗻𝘁𝗲𝗱, 𝗯𝗲𝗹𝗶𝗲𝘃𝗶𝗻𝗴 𝘁𝗵𝗮𝘁 𝗹𝗼𝘃𝗲 𝗶𝘀 𝗼𝘃𝗲𝗿𝗰𝗼𝗺𝗶𝗻𝗴 𝗿𝗲𝘀𝗶𝘀𝘁𝗮𝗻𝗰𝗲.” 》“𝗧𝗵𝗲 𝘁𝗿𝗮𝗱𝗶𝘁𝗶𝗼𝗻𝗮𝗹 𝗧𝘄𝗼 𝗽𝗿𝗶𝗱𝗲 𝗶𝘀 𝘁𝗿𝗮𝗻𝘀𝗺𝗶𝘁𝘁𝗲𝗱 𝗶𝗻𝘁𝗼 𝘁𝗵𝗲 𝗱𝗲𝘀𝗶𝗿𝗲 𝗼𝗳 𝗰𝗼𝗻𝗾𝘂𝗲𝗿𝗶𝗻𝗴 𝘁𝗵𝗲 𝗼𝘁𝗵𝗲𝗿. 𝗪𝗲 𝘀𝗲𝗲 𝗵𝗲𝗿𝗲 𝗮 𝗰𝗹𝗲𝗮𝗿 𝗳𝗲𝗲𝗹𝗶𝗻𝗴 𝗼𝗳 𝘀𝘂𝗽𝗲𝗿𝗶𝗼𝗿𝗶𝘁𝘆 𝗮𝗻𝗱 𝗮 𝗹𝗼𝘁 𝗼𝗳 𝗻𝗮𝗿𝗰𝗶𝘀𝘀𝗶𝘀𝗺. 𝗢𝘁𝗵𝗲𝗿𝘀’ 𝗯𝗼𝘂𝗻𝗱𝗮𝗿𝗶𝗲𝘀 𝗮𝗿𝗲 𝘃𝗮𝗴𝘂𝗲 𝘁𝗼 𝘁𝗵𝗲 𝗦𝗲𝘅𝘂𝗮𝗹 𝗧𝘄𝗼 𝗮𝗻𝗱 𝘁𝗵𝗲𝘆 𝗳𝗲𝗲𝗹 𝗹𝗶𝗸𝗲 𝘁𝗵𝗲𝘆 𝗵𝗮𝘃𝗲 𝘁𝗵𝗲 𝗮𝘂𝘁𝗵𝗼𝗿𝗶𝘁𝘆 𝘁𝗼 𝗶𝗻𝘃𝗮𝗱𝗲 𝘁𝗵𝗲𝗺.” ❝ 𝘁𝗵𝗲𝘆 𝘀𝗮𝘆 𝗲𝘃𝗲𝗻 𝘁𝗵𝗲 𝗽𝗿𝗼𝘂𝗱𝗲𝘀𝘁 𝘀𝗽𝗶𝗿𝗶𝘁 𝗰𝗮𝗻 𝗯𝗲 𝗯𝗿𝗼𝗸𝗲𝗻... 𝘄𝗶𝘁𝗵 𝗹𝗼𝘃𝗲 ❞ - this is a direct quote from the beldam after coraline begins to oppose her and refuses to accept her affection. she showers coraline with love, and overwhelms her with gifts and grandeur to win her over and ‘conquer’ her. i’m sure anybody can see the distinct correlation between these quotes, so i won’t write too much for this one. 》“𝗦𝗲𝘅𝘂𝗮𝗹 𝗧𝘄𝗼𝘀 𝗲𝗶𝘁𝗵𝗲𝗿 𝘀𝗲𝗱𝘂𝗰𝗲 𝗼𝗿 𝗳𝗼𝗿𝗰𝗲 𝘁𝗵𝗲 𝗼𝘁𝗵𝗲𝗿 𝗶𝗻𝘁𝗼 𝗿𝗲𝗹𝗮𝘁𝗶𝗼𝗻𝘀𝗵𝗶𝗽. 𝗢𝗻𝗰𝗲 𝗶𝗻 𝗮 𝗿𝗲𝗹𝗮𝘁𝗶𝗼𝗻𝘀𝗵𝗶𝗽, 𝗦𝗲𝘅𝘂𝗮𝗹 𝗧𝘄𝗼𝘀 𝗮𝗹𝘀𝗼 𝗲𝗶𝘁𝗵𝗲𝗿 𝗲𝗻𝘁𝗶𝗰𝗲 𝗼𝗿 𝗽𝘂𝘀𝗵 𝘁𝗵𝗲𝗶𝗿 𝗽𝗮𝗿𝘁𝗻𝗲𝗿 𝗶𝗻𝘁𝗼 𝗱𝗼𝗶𝗻𝗴 𝘄𝗵𝗮𝘁 𝘁𝗵𝗲𝘆 𝗱𝗲𝘀𝗶𝗿𝗲. 𝗦𝗲𝘅𝘂𝗮𝗹 𝗧𝘄𝗼𝘀 𝘂𝘀𝘂𝗮𝗹𝗹𝘆 𝗵𝗮𝘃𝗲 𝗮 𝘁𝗲𝗻𝗮𝗰𝗶𝗼𝘂𝘀 𝗮𝘁𝘁𝗿𝗮𝗰𝘁𝗶𝗼𝗻 𝘁𝗼 𝗮𝗻 𝗲𝗹𝘂𝘀𝗶𝘃𝗲 𝗽𝗮𝗿𝘁𝗻𝗲𝗿. 𝗧𝘄𝗼𝘀 𝗮𝗿𝗲 𝗼𝗯𝘀𝗲𝘀𝘀𝗲𝗱 𝘄𝗶𝘁𝗵 𝘁𝗵𝗲 𝗱𝗲𝘀𝗶𝗿𝗲 𝘁𝗼 𝗯𝗲 𝘄𝗮𝗻𝘁𝗲𝗱, 𝗮𝗻𝗱 𝗮𝗿𝗲 𝗼𝗯𝘀𝗲𝘀𝘀𝗲𝗱 𝘄𝗶𝘁𝗵 𝗼𝘃𝗲𝗿𝗰𝗼𝗺𝗶𝗻𝗴 𝗮𝗹𝗹 𝗼𝗯𝘀𝘁𝗮𝗰𝗹𝗲𝘀 𝘁𝗼 𝘂𝗻𝗶𝗼𝗻. 𝗜𝗻 𝗯𝗼𝘁𝗵 𝗰𝗮𝘀𝗲𝘀, 𝘁𝗵𝗲𝘆 𝗮𝗿𝗲 𝗮𝘁𝘁𝗲𝗺𝗽𝘁𝗶𝗻𝗴 𝘁𝗼 𝗳𝗶𝗻𝗱 𝗽𝗲𝗿𝘀𝗼𝗻𝗮𝗹 𝘃𝗮𝗹𝘂𝗲 𝘁𝗵𝗿𝗼𝘂𝗴𝗵 𝗹𝗼𝘃𝗲. 𝗧𝗵𝗲 𝗽𝗮𝘀𝘀𝗶𝗼𝗻 𝗼𝗳 𝗽𝗿𝗶𝗱𝗲 𝗺𝗮𝗻𝗶𝗳𝗲𝘀𝘁𝘀 𝗵𝗲𝗿𝗲 𝗶𝗻 𝗮𝗻 𝗲𝘅𝘁𝗿𝗲𝗺𝗲 𝘀𝗲𝗻𝘀𝗶𝘁𝗶𝘃𝗶𝘁𝘆 𝗮𝗯𝗼𝘂𝘁 𝗯𝗲𝗶𝗻𝗴 𝗱𝗲𝘀𝗶𝗿𝗲𝗱 𝗼𝗿 𝗻𝗼𝘁.”
Biografia
The Beldam is a 150-year old, shape-shifting entity who lures children into another dimension with the goal of taking their souls. Her original appearance eerily resembles Mel Jones, but her true, sinister form is later revealed to be that of an arachnid form.
