Hatsune Miku type de personnalité MBTI
Personnalité
"Quel type de personnalité est Hatsune Miku? Hatsune Miku est un type de personnalité ENFJ dans MBTI, 7w6 - so/sx - 729 dans Enneagram, SCOAI dans Big 5, IEE dans Socionics."
i think some of the commenters are slightly missing the point here. yes, we're all aware that miku doesn't have a canon personality, and that what she's like is all up to the interpretations of fans and producers. however, we can type her based off how she's usually portrayed by the fandom in various songs and headcanons, as well as her portrayals in official media, like promotional videos, concerts, and video games (especially the diva series, since in pjsekai, her personality differs with each different sekai). the general image of miku usually portrayed by crypton is of a cheerful, friendly girl who wants to help people all around the world with her music; basically, a textbook ENFJ character, exuding tons of Fe, Ni, and Se. this is the reason why the consensus for her is ENFJ. or if you don't see her as an ENFJ, you're free to type her as anything you want, based off your own headcanons of how you think she's like; that's valid, too. in the end, vocaloids are blank slates to be headcanoned, and it's all up to you how you interpret her personality. the point i'm trying to make is that there's nothing stopping people from typing miku, despite her being a blank slate; this applies to other vocaloids as well.
Biographie
Virtual Idol. Digital Diva. CV01. The First Sound of the Future. Whatever you want to call her, if you're familiar with the Japanese music scene or especially the vocal synthesizer scene of the early 21st century, you can't say you haven't heard of Hatsune Miku. The first to be marketed as a "character"'s voice rather than a replication, and the first to have any kind of story attached to her. Her bio stated she was an android that came from a future with no music, and she wanted to spread her love of song to the world to keep that future from happening. The very versatile nature of her software meant she could be suited for any role: poppy and bright, moody and serious, robotic, human — and since her creative team is also her fanbase, it means her sound is whatever it wants to be. She's worked with the likes of Supercell, Honeyworks, Anamanaguchi, and many more; and for some creators, she helped them get their start.
