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Naisho no Pierced - プロポーズ (Propose) tipe kepribadian MBTI

Naisho no Pierced - プロポーズ (Propose) tipe kepribadian MBTI

Vocal Synthesiser SongsNaisho no Pierced - プロポーズ (Propose)

Naisho no Pierced - プロポーズ (Propose) tipe kepribadian

Kepribadian
Biografi
Kepribadian correlate

Kepribadian

"Jenis kepribadian apa itu Naisho no Pierced - プロポーズ (Propose)? Naisho no Pierced - プロポーズ (Propose) adalah tipe kepribadian ENFJ di mbti, - SX2 - 316 di enneagram, SLUAN dalam Big 5, EIE dalam socionics."

(1/3) In this comment thread, I will try to substantiate my idea that the singer of Propose is Fe-Ni (ENFJ) by referring to Jung's original typology system. To begin with, I think that the judgment (F, T)-dominance--and specifically, the Feeling-dominance--of the singer is fairly clear-cut, as the song revolves around their sentiments, moral judgments, and opinions rather than matters of perception (sensations, possibilities). They call their loved one "unfair," compel them to listen to them, and remark on their personal impressions of their love ("rotten," etc.), with a lesser focus on either impressions or sensations. Whether this Feeling is introverted or extroverted can be determined by analyzing the difference between Jung's Fi-dom and Fe-dom descriptions. Jung's Fi-dom is described as such: "A superficial judgment might well be betrayed, by a rather cold and reserved demeanour, into denying all feeling to this type. Such a view, however, would be quite false; the truth is, her feelings are intensive rather than extensive. They develop into the depth. Whereas, for instance, an extensive feeling of sympathy can express itself in both word and deed at the right place, thus quickly ridding itself of its impression, an intensive sympathy, because shut off from every means of expression, gains a passionate depth that embraces the misery of a world and is simply benumbed. It may possibly make an extravagant irruption, leading to some staggering act of an almost heroic character, to which, however, neither the object nor the subject can find a right relation. To the outer world, or to the blind eyes of the extravert, this sympathy looks like coldness, for it does nothing visibly, and an extraverted consciousness is unable to believe in invisible forces." And his Fe-dom is described like this: "Feeling in the extraverted attitude is orientated by objective data, i.e. the object is the indispensable determinant of the kind of feeling. It agrees with objective values. [...] I may feel constrained, for instance, to use the predicate 'beautiful' or 'good', not because I find the object 'beautiful' or 'good' from my own subjective feeling, but because it is fitting and politic so to do; and fitting it certainly is, inasmuch as a contrary opinion would disturb the general feeling situation. A feeling-judgment such as this is in no way a simulation or a lie -- it is merely an act of accommodation. A picture, for instance, may be termed beautiful, because a picture that is hung in a drawing-room and bearing a well-known signature is generally assumed to be beautiful, or because the predicate 'ugly' might offend the family of the fortunate possessor, or because there is a benevolent intention on the part of the visitor to create a pleasant feeling-atmosphere, to which end everything must be felt as agreeable. Such feelings are governed by the standard of the objective determinants. As such they are genuine, and represent the total visible feeling-function. [...] This kind of feeling is very largely responsible for the fact that so many people flock to the theatre, to concerts, or to Church, and what is more, with correctly adjusted positive feelings. Fashions, too, owe their existence to it, and, what is far more valuable, the whole positive and wide-spread support of social, philanthropic, and such like cultural enterprises. In such matters, extraverted feeling proves itself a creative factor. Without this feeling, for instance, a beautiful and harmonious sociability would be unthinkable."