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Dierks Bentley тип личности MBTI

Dierks Bentley тип личности MBTI image

Личность

"Какой тип личности является Dierks Bentley? Dierks Bentley - это тип личности в mbti, 9w8 - - в Enneagram, в Big 5, в Socionics."

I do 'click' with all of his albums, even if I don't like country music mainstream / country pop that much. His songs have a lot of 'hidden meaning' (see - the whole black and riser album), and not all about trucks and girls and red dirt road and blah blah blah... He's one of the trickiest to type in the country music industry, as he's not the conventional sensors and thinkers. This hinted he chased for Te earlier in life, then realized his natural Fi strength. "Musically, I found myself trying to write songs and make records that reflected who I was at the time, but I was always thinking about touring and how to get to the next level. That certainly was not a winning formula. That’s why I kept hitting my head against the ceiling trying to headline. But it wasn’t really happening. Then I did that bluegrass record [Up on the Ridge, in 2010] and it got me back to where I wanted to be musically. From that point forward, I have only made albums for albums’ sake and have not worried at how they translate on the road. " And this, seems like he's predominantly Fi dom but uses Ne to manifest extroversion to other people. To point out Ne in the given interview, it is not about the creativity he put into the songs, but about the part that he received external information about people 'abstractly' as he tried to make the connection among them. It is hard to grasp but it is there. Also, by watching other interview and trying to analyze his mind, he really use Si a lot. "I see myself as a serious artist, but yeah, when people come to my shows, they want to hear What Was I Thinkin’, Drunk on a Plane and lots of up-tempo, fun songs. But my records have always had serious stuff on [them], some really lonesome stuff. But people probably think of me more for the fun stuff. It’s bizarre. Even Drunk on a Plane – I almost didn’t put it on the record, but thank God I did: it’s the most fun song I play every night. ..." And this, a lot of Ne + Si tendency in this paragraph. "It’s a worthy debate. And certainly with Chris Stapleton and the awareness he brought to country music outside of country radio. I’d say the same thing with Haggard. The radio is not show fun, it’s show business. It’s money. The reason Merle Haggard is not played on the radio is because Merle Haggard is not bringing in Coca-Cola dollars. It’s not something to bemoan. I’m driving in my van now and I have Sgt Pepper’s Lonely Hearts Club Band on the stereo. They’re not playing the Beatles on the radio but I can go put them on my record player. There is so much great music coming out of Nashville. If you want to find it, you have to be a little bit more aggressive. You have to go look for it a little bit. When Merle Haggard was doing his thing, I’m sure there were people getting kicked off the radio because of the new hot sound coming out of Bakersfield. I think it’s always evolving." Why he is tricky to type is that he might even use more Si than Ne so he is an INFP jumper, but that doesn't make him ISFP, and him pursued a great deal of Te earlier in life can make him mistyped as ISFP or ISTJ. If we go by cognitive function theory, he's still INFP. https://www.theguardian.com/music/2016/may/24/dierks-bentley-interview-black-country-music

биография

Frederick Dierks Bentley (born November 20, 1975) is an American country music singer and songwriter. Bentley's studio albums have accounted for 25 singles on the Hot Country Songs and Country Airplay charts, of which 16 have reached number one: his debut single "What Was I Thinkin'", "Come a Little Closer", "Settle for a Slowdown", "Every Mile a Memory", "Free and Easy (Down the Road I Go)", "Feel That Fire", "Sideways", "Am I the Only One", "Home", "5-1-5-0", "I Hold On", "Drunk on a Plane", "Say You Do", "Somewhere on a Beach", "Different for Girls", and "Woman, Amen". Four more of his singles have reached the top 5.

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