Clarissa Dalloway mbti kişilik türü
Kişilik
"Clarissa Dalloway hangi kişilik türü? Clarissa Dalloway, MBTI, 2w3 - sp/so - 496 'de ISFJ kişilik türüdür, RLOAI, RLOAI, büyük 5, ESI' dır."
Asked this on @[st]’s page, but leaving it here (and his response) as well: The way she seems to desire autonomy from her husband and pushes away Peter Walsh for his attachments makes me feel like she’s an ISFJ, as I remember that Michael Pierce had said in his writings on the types that inferior Ti makes one more likely to make concessions to overalign with others around her, and she retains that sense of individuality throughout. “And there is a dignity in people; a solitude; even between husband and wife a gulf; and that one must respect, thought Clarissa, watching him open the door; for one would not part with it oneself, or take it, against his will, from one’s husband, without losing one’s independence, one’s self-respect—something, after all, priceless.” Quotes like these also seem awfully like Si-dom, according to Jung’s writing of what Si-dom entails: “Normally the object is not consciously depreciated in the least, but its stimulus is removed from it, because it is immediately replaced by a subjective reaction, which is no longer related to the reality of the object. This, of course, has the same effect as a depreciation of the object. Such a type can easily make one question why one should exist at all; or why objects in general should have any right to existence, since everything essential happens without the object... Even with only a slight reinforcement of the unconscious, the subjective constituent of sensation becomes so alive that it almost completely obscures the objective influence. The results of this are, on the one hand, a feeling of complete depreciation on the part of the object, and, on the other, an illusory conception of reality on the part of the subject, which in morbid cases may even reach the point of a complete inability to discriminate between the real object and the subjective perception.” “Whereas true extraverted intuition has a characteristic resourcefulness, and a 'good nose' for every possibility in objective reality, this archaic, extraverted intuition has an amazing flair for every ambiguous, gloomy, dirty, and dangerous possibility in the background of reality. In the presence of this intuition the real and conscious intention of the object has no significance; it will peer behind every possible archaic antecedent of such an intention. It possesses, therefore, something dangerous, something actually undermining, which often stands in most vivid contrast to the gentle benevolence of consciousness.” “Clarissa had a theory in those days . . . that since our apparitions, the part of us which appears, are so momentary compared with the other, the unseen part of us, which spreads wide, the unseen might survive, be recovered somehow attached to this person or that, or even haunting certain places after death . . . perhaps—perhaps.” “She had a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very dangerous to live even one day.” ——— And here potentially Si>Fe and not inferior Ti: “Somehow one respected that—that old woman looking out of the window, quite unconscious that she was being watched. There was something solemn in it—but love and religion would destroy that, whatever it was, the privacy of the soul.” The analysis that came with the quote: After Elizabeth leaves to go shopping with Miss Kilman, Clarissa is alone again to think about her situation and what she cares about most. Seeing an older woman through a window in a nearby building leads her to think about dignity and privacy, two principles [Ti!] she holds most dear. She believes that love and religion threaten these qualities. This moment foreshadows her private musings, during the party, about life and death as she ponders Septimus Warren Smith’s suicide. @[st]’s response: “It is due to the ISFJ's tertiary Ti that they give more consideration to the structural integrity of their worldview, which seems to be the case with Clarissa.” My reply: “That's what I figured as well. She seems quite preoccupied in defining her worldview, and contrasting it with those of others around her, especially Peter's.” ——— His recent elaboration on tertiary Ti in ISFJs on his page: “They consider the integrity of their Si worldview and obstinately hold to this integrity. Ti is a strict adherence to how it fundamentally understands things. The ISFJ's championing of objective values comes from their recognition of an abstract, logical ideal to adhere to; a categorical imperative. An exemplar is Rosa Parks, refusing to give up her seat out of annoyance from the perceived lack of propriety and rationality.”
Biyografi
Clarissa Dalloway, or Mrs Dalloway, is the titular character of the 1925 novel. She is married to Richard Dalloway, a Conservative politician, and the mother of Elizabeth Dalloway.
Kişilik correlate
Septimus Warren Smith
Peter Walsh
Sally Seton
Mr. Dalloway
Lucrezia Warren Smith
Elizabeth Dalloway
Lady Bourton
Miss Kilman
