名人和角色
音乐
Vocal Synthesizer Songs
Tsumikusa - やればできる / Yareba Dekiru (You Can Make It) MBTI性格类型

Tsumikusa - やればできる / Yareba Dekiru (You Can Make It) MBTI性格类型

Vocal Synthesizer SongsTsumikusa - やればできる / Yareba Dekiru (You Can Make It)

Tsumikusa - やればできる / Yareba Dekiru (You Can Make It)人格类型

性格
背景
相关人物

性格

"Tsumikusa - やればできる / Yareba Dekiru (You Can Make It)是什么人格？ Tsumikusa - やればできる / Yareba Dekiru (You Can Make It)是MBTI中的ENFJ人格类型，九型中的9w1 - sx/sp - ，五大类型中的，Socionics中类型。"

(Sx9 analysis; may come back to explain my other votes for this song.) "'You can make it!' And what on earth Would you like more than that? If there’s love, yeah, then I can make it. And naturally, you’ll be happy too! Aah, 'I can make it someday,' Dreaming like that is this innocent girl. 'With you, I can definitely make it.' I believed so for a long time, and the result is――" These are the first few stanzas of this song, and they align extremely closely with what Naranjo describes of the sx9 in his E9 book: a personality that prioritizes its partner above all else and incessantly fantasizes about a dreamlike future divorced from reality. Here is an excerpt from that book with asterisks around the parts that apply to the protagonist of this song: "The sexual E9 is hypersensitive to the slightest disturbance in the parents, first, and in the loved one later, and minimizes their pain and the aspiration to their own happiness, for the well-being of the other. Very important in this process of anesthesia is *the poison of fantasy and postponement, renouncing the present*. This postponing as much as possible reveals the acidity of the sexual E9 that, rather than coming into contact with reality, deceives itself by living in its fantasy, which it models to make its life better and to avoid seeing reality, which would cause a pain that it would have to face. But, above all, he would implicitly have to accept that he cannot change reality, the extreme of which the sexual E9 is incapable, *often prey to a delirium of omnipotence that makes him believe that he can control everything, that everything depends on how we move in the world and that anything can be achieved if one wants it*." We can also see that she shows another sx9 characteristic described by Naranjo, which is a lack of confidence in her own appearance: "You whispered into my ear Those absolutely honest compliments. “You’re so cute, adorable!” “You’re cute. Really cute.” Well, if you say so..." This is the only part of the song in which we see how her partner behaves, and she reacts to his compliments with some emotional ambiguity. This is how Naranjo described sx9's relationship with its body: "The only pleasure that is perceived is the pleasure of the other, which arouses a feeling of joy and satisfaction. And if at the end of the relationship there is time for your own pleasure, fine... and if there isn’t, fine too. It can be said that one of the impediments to seeking attention and pleasure for oneself in intimacy is often the lack of esteem and acceptance of one's own corporeality and one's own image. The sexual E9 feels a deep shame of his physical structure, of his excess fat, and considers himself unpleasant to look at." Incidentally, it seems from the translator Tackmyn's notes that "If there's love, yeah, then I can make it" refers to the conception of a child. The protagonist of the song likely had a child to celebrate her and her partner's relationship. However, the PV hints that the relationship... went downhill, to say the least. And yet, the lyrics indicate nothing to that effect, only ending with "I’m happy! I’m so happy. / I hope we’ll keep our relationship forever. / I knew it. Just as I thought. / We have great chemistry!" We can see how psychological sloth and the sx instinct combine to create sx9 in this song as the protagonist utterly refuses to analyze her relationship or move on from it, preferring instead to stay lost in the fog of love (sx). Her entire mental space becomes absorbed in that single relationship, and she becomes dependent on it to an extreme point.