Ang Lee MBTI 성격 유형
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"Ang Lee은 어떤 성격 유형입니까? Ang Lee은 mbti의 INFJ 성격 유형입니다. enneagram의 9w1 - - , big 5의 , socionics의 EII입니다."
His film Life of Pi is full of Ni. The beautiful and amazing visuals all serve a purpose, it's unlike the Ne way of imagination which is boundless with strong personal taste. The elements in this film are all metaphoric about humanity, barbarity, and religion, which is a common INFJ trait. Ang Lee's other films about "fathers", about how families get along under patriarchy also reflect his Fe. This Fe is especially compelling in his earlier Chinese films (Eat Drink Man Woman, The Wedding Banquet, etc.), where the protagonists wouldn't "sacrifice" their individuality just for the fake harmony if Ang Lee was an INFP (come on, this is unacceptable for Fi dom people). If you take a closer look at these films, they all convey some "soft compromise" vibe (under conflicts between generations and cultures) that's inherent in Fe. I never get why people are convinced that Ang Lee is an INFP. You could of course see Fi Ne literally in every film since the process of creation is to express yourself (Fi) and use your imagination (Ne). But that does not mean every film director is Fi Ne dom, you gotta look at the purpose of the imagination and the way the director expresses themselves. As stated above, his films are definitely not Fi Ne dom from my point of view. I've also watched so many interviews of Ang Lee, none of which really show any Fi Ne. He observed and reacted to the interviewer immediately, and answered questions precisely but with reservations, never elaborating on anything or focusing on his own intentions and feelings. This does not necessarily mean he couldn't be an INFP, but at least there is no evidence that he is an INFP.
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Ang Lee OBS (Chinese: 李安; pinyin: Lǐ Ān; born October 23, 1954) is a Taiwanese film director, screenwriter, and producer. Lee's earlier films, such as The Wedding Banquet, Pushing Hands, and Eat Drink Man Woman explored the relationships and conflicts between tradition and modernity, Eastern and Western. Lee also deals with repressed, hidden emotions in many of his films, including Crouching Tiger, Hidden Dragon, The Ice Storm, Hulk, and Brokeback Mountain.
